Awakening

Two fifth symphonies from Russia: In 1944, Sergei Prokofiev spent some time in the countryside where he had all the peace and calm he needed in order to compose, while back home in Moscow, people were suffering from hunger and homelessness. What Prokofiev brought to paper is lushly orchestrated, patriotic, and deliberately Russian in its rhythm and melodies. Not to mention a tremendous amount of heroic pathos, in light of the global war against Nazi Germany. In his op. 100, we see the composer as a mature, experienced symphonist, and as grand master of instrumentation. He creates veritable »orchestral paintings« – some lyrical and sumptuous, some dark and warlike. 

Alexander Glasunow’s fifth symphony, too, has a heroic flavor to it. After a passage of dark fog in the brass section, and an elf-like Scherzo à la Mendelssohn, the symphony grows and eventually culminates in a grand, radiant finale of such majestic splendour that this has become Glasunow’s masterpiece.

Both composers personally wielded the baton at the premieres of their fifth symphonies. Unfortunately, we can’t arrange for that to happen this time around. However, the Gürzenich Orchestra is looking forward to continuing its exhilarating collaboration with one of the foremost conductors of the young generation, Swiss-born Lorenzo Viotti. An exceptional talent and magician in the field of late Romantic sound, he most certainly would have appealed to the two Russian symphonists.